A film title in. A playlist on the schedule.
Original songs, a cover, a long-form video and a scheduled upload, from one row in a queue. It runs on a schedule, nobody approves a step, and a person hears from it only when something fails.
Set up once
- A sound profile, distilled from reference listening: the era, the palette, the tempo, and how the lyrics are shaped.
- A roster of invented artists, each with a voice, recurring subjects and three modes, so a playlist sounds like several bands rather than one.
- A look for each catalogue: a film stock, a colour grade and a title lettering, so every cover in it belongs with the others.
Each run
- After that, a playlist is a row in a queue: a film, a sound, a date.
- Before it spends anything, the run checks its upload token, its credits and its publish slot.
- It writes lyrics and sound notes, artist by artist, against the sound profile.
- It sets one scene for the cover, in the catalogue’s film stock.
- It renders the songs and checks every take as it arrives.
- A step can fail, as this one does here. The run stops with a typed reason, and that report is what reaches a person.
- Resumed, it picks up where it stopped. Nothing it finished is done twice.
- It sequences the songs in acts and stamps the chapters.
- It renders the cover from that one scene.
- It cuts one long-form video, with slow crossfades between the songs.
- It schedules the upload for the date in the queue and marks the row done.
- Then it reports to a person: completed. Nobody approved a step.
On the loopNobody approves a step. A person reads the report, and steps in only when it says so.
